Everybody Needs Somebody to Love

‘It’s 106 miles to Chicago, we got a full tank of gas, half a pack of cigarettes, it’s dark and we’re wearing sunglasses’

There is nothing more for me to do. My work here is done.

Early this afternoon I sat down with me crew and flicked through Netflix in search of the impossible. In the midst of all the dross, all the unknowns and all the stuff one or the other, or all of us, had seen before, there it was. Like a magpie attracted to something bright, shiny and new, a deep green oasis in a tawny desert, the title stood out like a beacon, luring me in. Surprisingly, there was little objection and before you knew it, we were watching the best movie ever made.

I am sure the title will elude many people, as there is no way of ever agreeing on what is the greatest movie ever. Steve McQueen and co in the Great Escape, De Niro in Taxi Driver or Raging Bull or any other of the many brilliant movies he was a part of. Apocalypse Now, Stand By Me, Close Encounters of the Third Kind, Deliverance, Basketball Dairies, The Breakfast Club, Star Wars: The Empire Strikes Back (by far the best of them), Bad Lieutenant, E.T, Cool Hand Luke…Just a few of the titles which have grabbed me over the years.

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We could all compile a list of the movies which have moved us, shocked us, informed us or simply entertained us. The real hardship is knowing when to eliminate a film here and there. But, what makes me laugh, cry, sing out or along, think, consider or contemplate, are not the same things which will float your boat. Okay, so we can all agree liking or loving a movie is a very subjective thing. There is no accounting for taste.

For me, there is one movie which ticks all the boxes. Well okay, many of them and even if it doesn’t manage that, I find it pure fun to watch. Over the last few years Wifey and I have tried to introduce our kids to the movies which struck the right chord with us in our younger years. We were motivated by a desire to find films that were just that, not animated, where real people were acting and were therefore more relatable, where story-lines were based around the actions and reactions of people, where the scenery could be your back yard or just down the road.

They didn’t particularly take to E.T but loved The Goonies. Star Wars was lapped up, as was Who Framed Roger Rabbit. The Gremlins were a hit, Honey I Shrunk the Kids too, went down well. The Never Ending Story or the Labyrinth, not so much. So there is the subjectivity, there is no pleasing everybody and kids as an audience are possibly the most discerning, hard to please mob you are ever going to encounter in front of a screen. Their displeasure is immediately obvious and they will switch off almost instantly if a movie fails to grab them, not all that long after the opening credits have rolled.

The greatest movie ever made, in my most humble of opinions, is not something my wife has much appreciation for. I can understand why, not everything is for everyone, as we have established. The thing is, you only have to run through a few of the names in the cast and surely you are sold. Carrie Fisher, John Candy, Ray Charles, Aretha Franklyn.

Ok, from that line up you can assume it is a musical number and, more or less, it is. Let me assure you though, the movie is so much more. For a start it contains scenes which even to this day stand as the second highest amount of cars written off in the making of the one movie. Yes, a musical with car chases. Not just smoking tyres and screaming sirens. Oh no, so much more.

Think cheesy one liners to explosions and gun fights and characters such as jilted lovers and Nazis and nuns and tales of excess and ex-cons. People lie and cheat and scheme and rob and con and that is just the two main characters, so deftly played by a sadly gone to soon John Belushi and an in his prime Dan Akroyd.

Guessed it yet? Yes, that’s right. The Blues Brothers.

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Apart from the lineup of outstanding musicians, people like Donald ‘Duck’ Dunn and Steve Cropper and all the rest, the guest appearances from the legendary likes of John Lee Hooker and James Brown, providing class and divine intervention, there are smatterings of brilliance all through the movie. A movie that can make you laugh and make you boogie, that doesn’t take itself too seriously. It will not move you, except for maybe out of your seat for a twist or a Watusi. Over the top silliness, Tom Foolery, Joliet Jake E. Blues and Elwood J Blues and the adventurous they are a part of whilst conducting their ‘mission from God’ is simply entertainment at it’s best and a movie which hasn’t yet, and may never, shown any signs of aging.

Yes, there is an expletive uttered here and there. Yes, there is the occasion reference to themes, perhaps more so in my younger days, youths might not as yet have been exposed to. Generally though, the Blues Brothers is a good, fun watch, packed full of lighthearted goodness. At the same time the movie delivers a killer soundtrack, perhaps the driving point behind the cult status it is revered in and all the while does not get bogged down in heavy moralistic tellings or swampy deep and meaningfuls. Accidentally a masterpiece of modern culture.

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Ward off the winter chill with a good watch. That is all. No pressure for kids to learn, to develop or to grow mentally or intellectual. Just throw a bit of culture their way and kids will do all of that on their own.

Helps if they can stamp their foot, click their fingers, sing along and have a laugh.

Don’t you think?

 

 

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